it smells like everything but smoke.

{via Unsplash}

2015 showed up without warning. One minute, it was the year of precipice -- the year of death and life, the year my book was born, the year my marriage passed the five year mark, the year our daughter turned two, the year we found out that we were adding a fourth member to our family.

The year that turned me inside out and rubbed salt on my skin.

And then I blinked. And 2015 arrived.

My year of burning. 

Every year, I pick a word. Or rather, the word picks me. It finds me in the snow, in the dark, between the clinking of dirty dishes and the noise that my vacuum makes when it sucks up a sock by mistake. It slips into my soul the way water slides around stones. It doesn't move them, it just makes itself at home in the spaces.

And this year of burning // it's already started. It started when I dared to speak the release date for the second book to my writing coach, and she smiled through Facebook chat and said,  HOLLA. Just like that, all in caps. From anyone else, it would have made me smile and I would have moved on. From her? It's a tattoo on my heart-walls.

Holla. You got this. You do this.

It started when our entire plan for birthing this second child was turned on its ear by a cowardly stranger, leaving me scrambling for plans B, C, and D...and maybe even E. It all went down between rushed footsteps to the bathroom and a smell-sensitive husband standing outside the bathroom door with a water bottle and a hairband and a soft apology. It happened in my weakest moments, leaving me feeling even weaker in the process.

2015, you're already burning shit away. And I mean that literally figuratively. All the crap, all the stuff that I came into this year carrying? It's burning away. And it stinks and it's making me gag and feel weak and empty in the moment. But then I feel lighter, better, when I walk away.

It's the kind of year where I stop apologizing for making metaphors out of morning-afternoon-evening-all-the-time sickness. It's the kind of year where I acknowledge mistakes and dig my hands in deeper until the mud creeps up to my elbows, the kind that smells fresh and earthy and full of growth potential.

I can't help but wrap my entire body around the story of the three men in the fire that turned into four, because Glory was made perfect in flames and they were never alone. And they came out without even the smell of smoke on them, because they were wrapped up in Lion's breath -- flame retardant from He who would eventually fight a path through hell all for my soul.

Burning is beautiful. Burning is deadly. I'm okay with both.

So basically, this is where I leave you. Or begin with you. I'm not entirely sure which is more appropriate, but both apply ::

2015 is a year of burning. Of birth. Of rings of fire, physical and mental and spiritual. I can anticipate the raw that will be in this place. Less censored, more jagged.

Less talking, more words.

And a hell of a lot more burning.

the sufficiency in price tags

{photo via Unsplash}

I've reached the point, the rather terrifying reality, that people -- strangers and friends alike -- are going to be paying good, hard-earned money for my book.

I feel awkward even attempting to write this post. my guilt is irrational, silly even. and it all comes down to self-doubt. a mistrust in my own words.

the fact that my words are being brought down to dollars and cents makes me uncomfortable. mostly because I'm facing the weird reality that my words are actually worth people reaching into their wallets and pressing money into my palm. that the nine months I've spent pouring my soul into vowels and consonants and syllables and paragraphs are actually worthy of purchase.

:: it almost feels like I'm putting my soul on the market. 

people ask me all the time what this book is about. it's the first question that comes after the words "I wrote a book" leave my mouth. and my answers have been stumbling, faltering, mostly some excuse as to how it's "a faerie tale" and "I feel so silly." but recently, I've started channeling the way I feel about this book into my explanation.

so really, it comes down to this.

this story isn't about Faeries. well, it is, but not really. it's about people. it's about magic that IS them, that is an extension of who they are. and isn't that kinda deep, in a way? so what, it's not an existential theory. so what, it's fiction and fantasy. 

so what, maybe I want to be like J.K. Rowling when I grow up.

and you know something? people pay for J.K's books. she doesn't just drop them like manna from the skies. she presses those hefty volumes into hearts and whispers, "they cost money because I know they're worth every cent."

and my book isn't Harry Potter. because I'm not J.K. and my book isn't The Fault in Our Stars. because I'm no John Green.

but pricetags don't equal selling my soul. they mean that I'm putting value on myself, assigning value to my art and my words and my work.

and I can't help but lean heavy on the words Aslan spoke to a frightened boy-turned-king:

"if you had felt yourself sufficient, it would have been proof that you were not.” 

{I'm going to live in Aslan's Country. where He makes me sufficient}.

for when there aren't many words left {#Furgeson}

{via pinterest}

as far as Ferguson goes, I've been silent. 

I mean that as literally as you can get. nothing on social media. not my Facebook or my Twitter or my Instagram or my blog. nothing. period. 

silence. 

and that, for me, is odd. there are very few social issues that leave me at a loss for words. this one, however, has done exactly that. 

I am at a loss for words. 

let me be very clear here :: I have not been silent because I am white. I have not been silent because I have an unpopular opinion. I have not been silent because I am afraid. 

I have been silent because it has been one of those moments where you are confronted with something so overwhelming that it leaves nothing behind. there have been so many amazing words shared already. {you can find a couple fantastic and powerfully gentle posts here and here.} there have been arguments on both sides, strong words flung and feet planted into the dirt. the Internet is good at controversy, after all. 

what could I possibly say? wouldn't I only be adding to the noise?

because let's be honest :: there's been a lot of noise. madness. tumult. 

all I can do is pray. 

and that's pretty much exactly what I'm going to do here. 

:: 

oh God. 

bring peace. 

oh Lord,

bring comfort. 

oh Jesus. oh sweet Jesus. 

bring clarity. 

Spirit of the living God,

fall fresh. 

oh Lion, 

breathe. 

oh mighty Father, 

sustain. 

selah. selah. selah. 

krispie treats + grief

I'm grieving.

which conversely means that I'm in the kitchen a lot.

it's a thing I've always done. cooking is a sign of the placement of my emotional barometer. when I'm feeling things strongly, I bake and cook until the kitchen overflows and counters brim with goodness.

my grandmother is standing on the edge between earth's shallow pale and the glittering Holiness that is Aslan's Country. and she's ready to make the leap. and so we wait, wait for the appointed time.

I don't like to talk about grief. I really don't.
so I'll talk about Rice Krispie treats instead.

I'll talk about the way I stirred the melting marshmallows and butter together without thinking, a groove into which I fell so easily. because that's grief. it happens without thinking. it just comes and falls heavy and you find yourself doing the dance without understanding the steps. you just do.

I'll talk about the way I usually don't butter the pan, but this time, I did. because that's grief. you can't predict how you'll handle it, or if it'll be the same as it was last time or next time or the times before and after. when you find yourself bowing against it, you grieve your way. not his way or her way or your mother's way. you pour out in your own stream. no one else's.

I'll talk about the way I flung butter with my fingertips instead of neatly with a spatula. normally, cooking is tidy intricacies for me. little steps by little steps. but this time, it was just a little sloppy. a little haphazard. because that's grief. it's not tidy or ordained. we can try to make it that way, but it really isn't. it's greasy and slippery and creeps up your elbows and clings to everything it touches.

{via pinterest}

I'll talk about the way I burned my hand on the still-too-hot mixture of cereal and vanilla-aroma'd sticky goodness that poured from pot to pan. because that, that is grief. it hurts. even if you don't want it to, even if it was an accident and you would just rather not hurt at all no oh god no not even a little please...

grief hurts.

and I'll talk about the way it fell into the pan and filled in all the gaps. the way I used my hands, again, slathered in butter over the knuckles and over the little pale crease where my wedding ring normally sits. because that's grief. sometimes you just have to let yourself be buried in it, just a little, where you can still see yourself through the thin sheer coating that slips over your life. your hands are still there. just covered.

and then I'll tell you about the promise of deliciousness. I'll tell you about the way it seeps into my body through my tastebuds and fills me up with the knowledge that soon there will be treats. soon there will be sweetness. but there was burning and slathering and mixing and aching and weeping so that this particular pan of Rice Krispie treats might have a tinge of salt mixed in among the goodness.

because I know the ending. and oh, it hurts so bad that everything burns. but there is a promise. a whisper of what it will taste like when the door opens and I see it all, so clear and plain.

oh death, where is thy sting?
oh grave, where then is thy victory? 

the silent-growing green

today I cracked eggs into a bowl and blended them with milk and garlic powder and hand-cracked black pepper from my own little grinder. the jagged little lines on the edge of the broken eggshells are as tidy as I've been lately.

expected sharp edges.

today I climbed on my hands and knees under my art table set up kitty-corner from the washer and the drier and picked up little pieces of torn cloth and ripped paper and matchsticks and little boxes of laundry detergent. the mess is where I've been at lately.

it felt good to tidy it up.

:: ::

sometimes i think we get lost, as writers. we find a goal and pound toward it, head down and jaw set. at least, that's how it is for me.

and it's so easy to get lost in the words and the ever-rising word count and let my own story get lost completely in the haze. my fictional self is the kind that delves deeply into worlds made from scratch. and when I sink my fingers in, I let the story ooze all around and fill in all the spaces that aren't made from flesh and bone and blood and skin and family ties. that's how it works in my head.

other spaces become quieter. I used to think it was me dropping the ball, letting my blog fall slack. now I realize that it's an expectant hush.

a friend of mine asked the other day, is it okay if I still write books even if my blog has quieted down? the answers were resounding. do you. yes. oh yes. 

I wasn't the one that asked the original question. but I've been asking it for a long time. and I've been getting lost in this story of mine. I couldn't help but wonder, is this a bad thing? to turn my focus toward my book and my family and let my internet voice fade a little bit? 

there are writers that fill the internet, voice after voice after ringing chiming voice. they seem to be doing all the things, filling up pages upon pages of books and tending to their little wild ones and loving their spouses and writing blog posts on the regular.


but they aren't me, are they? and they aren't you.

:: ::

I talk about the wave a lot. that wave that separates Earth from Aslan's County, the one that crests and hides and then dips just enough for a sneak peak of what is to come. and sometimes I feel like I'm surfing that glorious wave. I can taste the salt.

I'm writing my book. still plodding on, adding pages and paragraphs, watching the word-count go up and feeling the excited prickle as things fall into place in the story that my dreams wove and my mind is baking from scratch like a new muffin recipe. I have no idea how it's going to turn out in the end. but I know that I can bake, and I know that it smells amazing.

so I'm on that wave. and yes, this place has fallen quiet, waiting in eagerness for the next wave to come. there are nights I sit in the darkness of my house at my desk with my candle flickering and the aroma of incense filling my nose as I compose just one more set of a thousand words. and I'm basking in the holy ground that is this particular kind of creation.

:: ::

today I went outside in my bare feet with grass between my toes to scrape away dead leaves and sticks and growing maple seed trees away from the roots of my hearty little rose bush.

it felt good to see the silent-growing green.

and that's where I'm at right now. I'm cresting a wave and catching just a glimpse of what lies on the other side. I'm feeling Holy Ground at my feet and my sides and my back. it's glorious, loves. and it's so frightening and so new and there are days when I cry a lot and swear that I cannot do this.

but then I get back up and I feel that salt water splash in my face. and I know. this is my place. this is my calling, where the God who sees me has shifted Heaven and Earth to place me. He shed precious crimson blood to dye a thread to hang in this window.

here is where I want you. 
come dwell here. come write here.
with Me. 

keep your eyes open for the silent-growing green.

when Jesus died [crossing worlds}

i.

I am the Daughter of Eve behind the tree, fingers curled against the bark of the tree. I am huddled with my sister, and we are watching.

I am the daughter of Jerusalem pressed low against the Earth, fingers curling against the Israeli dirt. I am wailing with my sisters, and we are watching.

{this year, I am pouring out my Good Friday tears at Emily Miller's blog. the death of the Most High has been something so tender for me this year, something that has drawn me deep. I really hope you will join me  for the rest of this post at Emily's place, and share your heart with me there. join me in the spaces between the trees. two worlds, same story. same promise}

barbed wire snapping song

{photo by Elora Ramirez}

we live in a world of barbed wire fences.

we're pressing flesh against sharp points and rough edges. we're desperate enough for touch, for connection, for community, that we are willing to endure the slicing and the bleeding and the tetanus-created lockjaw of silence. and it's all for the sake of being touched.

and here I am, in my home with the hardwood floors and the windows that face the East with the sun flowing in, humming Children of the Heavenly Father with tears in my eyes. because this can't be what He meant when He breathed His name over us like the holiest of commissions.

it's fitting that we're stepping into this time of year, slowly placing one foot in front of another as we approach each station of the Cross, each moment in the journey from Son of Man to Lamb of God. we're approaching His time of broken body. we are standing mere feet away from the blood-stained Israeli stones.

and I'm hushed in the holiness of it all. hushed in the realization that there was the barbed wire of nature that pressed deep into the forehead of fully-Man-fully-God. there was the bits of bone and metal and stone twisted into leather strips that severed skin from muscle and bone.

the barbed wire was destroyed the moment that death started working backwards. 

"it is finished." and He meant it, every weak and agonized syllable. it is done. it is complete. there are no more fences, no more twisted rusted metal gates designed to shred and tear and bleed and sever. it is finished. 

we're good at swords, somehow. we're good at evisceration in the name of love. we're good with breaking, but not so good with loving the broken. we're good with thudding, not so good with the gentle touch. we're good with barbed wire fences and darkened windows.

I want to be good with Jesus. I want to become good with Holiness streaming from my lips like water and Grace filling the baskets surrounding my feet like so much bread and fish created from scraps of "all she has is..."

I don't want to be so good with a sword. I want to be better with wire-cutters. there are wounds, blood, all for the sake of being touched. there is the virus of silence raging rampant through the veins of those who have been bound and gagged by the well-meaning millstone carvers.

but look at yourself, beloved ones. those scarlet letters are written in chalk. the rain is coming, pouring, and they are blurring into streaks that match the glorious sunrise. do you hear? that is the sound of rust caving under blades.

run free, lioness. He has laid flowers in your hair. He is leaping, arms raised and mouth wide open at the joy of you. the sight of you has Him undone.

the night has ended. this is the Morning. 

{beloved, there is room for you with us in community. no barbed wire there. only meadows. 

join us.}

the oft-repeated refrain

{photo taken by me}

if you asked me what makes my heart pound, I'd tell you that it's women. if you asked me what pushes me to write when the words feel dried up, I'd tell you that it's women.

if you asked me what's blocking my words right now, I'd tell you that it's fear.

I'd tell you that I'm scared that I write too much about the same thing, that I bombard the world with the same concept over and over again. I'd tell you that I swell with fear when I think about speaking about the way that I've changed, the way that my eyes are wider open now because He smeared mud over my blindness.

but I think you already know that.

I'd like to tell you that I write elegant, put-together and composed ideas about egalitarianism and Biblical feminism. I'd like to tell you that I'm good at gracefully pondering these ideas with highlighter pens and stacks of books that pile around my ankles.

but that wouldn't be the truth. and you already know that, too.

I'm the kind of woman that sits on her couch with her legs crossed while her child sleeps in the room above, sipping a long-cold cup of coffee as she types the words "you are worthy" so many times that she starts to think you might be sick of hearing them already.

and then something crosses my path that reminds me beyond the shadow of a doubt that you cannot remind someone of their worth enough times, that you cannot repeat the same tender invocation too often for the soul to not absorb it like water in the salt pans of Africa. it comes in waves, these whispering calls to arms.

I'm no Joan of Arc, but I think I understand her sometimes, the way she sat with the unpopular call of God shivering through her very blood. and that's where I am today, sitting on the edge of my soft green couch while my child sings her own made-up songs to herself above me. I'm walking with Joan but in the opposite direction. because today He's calling me to put down the sword. there's been enough blood today, enough caustic words burning acid marks into souls.

today I'm letting the sword rest beside the water. and I'm holding you close and whispering the words I've said a thousand times. I'm dipping my fingers into the sea and running them through your hair, smoothing down the edges that can cut us both if we're not careful.

I'm resting against the Lion's side, and it's warm and good. and I'm speaking the words He spoke in oft-repeated refrain.

all things are made new. 

in His image, we are created. 

female, yes, female too. 

He is worthy. 

and you, beloved daughter, are worthy. 

in which I write to remember

{via pinterest}

I write to remember.

I write to remember the way my daughter's head smelled the first moment they laid her in my arms, even as my body still groaning from the opening and the pulling and the needle stitching flesh back to flesh.

I write to remember the way his arm encircled my shoulder and his fingers dug into my hair as I sobbed into his chest the day they called and said that the matriach of my paternal family had slipped from terra firma to life abundant.

I write to remember the way that my calling put down roots in the same moment that a woman looked at me and called me reprobate, called me voice of distention, and the friend I had brought to defend me somehow slipped from my side to hers while I blinked.

I write to remember the freedom that started way  back when tears streamed down my parents' faces while my sister and I planted our feet and shook our heads, done with navy blue skirts and rules that added up to leave us too far from Jesus to be the right way.

I write to remember the heartache because it twisted my road like a snake shedding skin, whisking away death like rain washing mud from the base of a splintered cross but leaving the blood-stains. the death has to be remembered to celebrate the life.

there are days I'd rather forget, things that seem better to slip away through my fingers like an hourglass in reverse, days I'd rather use feeble fingers to push the hands of the clock backwards, even though they leave dents in my flesh. if someone invented cocoa butter for the soul, the kind that fades stretch marks and scars back into oblivion, there are days I would be tempted to buy them out of stock.

but I write to remember the way that Glory tastes on my tongue when all I've been eating is mud for a month. I write to remember the way His fingers feel on my cheek, the way His mane breezes like a whisper of be still and know, better than a hankie for wiping tears away.

I write because my cat chases beams of light on the carpet and my daughter giggles at her own reflection. I write because Holy is unchained and death flows backwards through the cracks in the stone.

I write so I don't forget the way home.

{this is my answer for all those times when I'm asked "why do you write?" this is where I have found myself, and this is what Story Sessions has taught me how to capture and hold tight. there is a seat for you with us, dear one. come join us}

in which He did not call us to be jerks

{photo by Jennifer}

there's a picture going around my newsfeed, a cartoon drawing of a bleeding man dressed in a rainbow shirt being bludgeoned by men holding Bibles. these caricatures were drawn to make us think, to draw the nodding heads and the "mmm"-ing and then "how true, how true" from those who identify as Christians. but I feel like it gets forgotten that the idea of the Sword of Truth being wielded like a butcher knife is more common, that we're good at passing out scarlet letters, carved into the chests so that they never forget they are sinners.

I've said it before, and I'll say it again: they know us by the things we hate instead of by our love, and that's the opposite of the way He meant for things to be.

do you really wonder why they hate us? why when someone hesitantly says, "I'm a Christian," there's groans and eyerolls and muttering?  I've heard the laughter myself, heard the mocking voice of the ones trodden undo so-called holy feet. there should be something different about us, the ones who don "small Christ, wandering followers of the Rabbi" as our moniker. and unfortunately, there is something different :: the fact that we so often choose to us Truth as an excuse to cleave flesh from bone and then drag them by the hair to the foot of the cross.

you're forgiven and you're going to like it. or else. 

you want bluntness? you want transparency?

Jesus did not call us to be assholes. He did not bleed Himself dry to raise a horde of sanctified jerks, to lead an army of righteous indignation. when He said to turn the other cheek, He didn't mean by slapping one until the head bows in apologetic pain.

{photo by Jennifer}

it breaks me down when I think back to the hearts I turned, the way my own words sliced and my own hands slapped and my nails clawed frantic to make them see their sin. but instead, I scratched the corneas of their souls until things were blurred and tears streamed and they stumbled away into fog. I pray someone else came behind me and loved them better, loved them like He would have done.

sometimes I look at the story of the Crucifixion, the way they ripped His body into shreds and spilled His blood on the courtyard stones, and I think, maybe there's more of a picture there than at first glance. because that picture, it's visceral and holy and grace personified. but I can almost see Him looking up from beneath the thirty-ninth lash, thorns pressing into His skin, and maybe I can read His lips.

I took this already. I'm doing this for them, for you, for all. 
it's covered. it's taken care of, once for all.
please don't do this to anyone else.  

He died to make us alive, died to tear down walls and bring separation to a minimum. He cradled the broken ones closest, touched the untouchable, and laid the twisted paths straight. there is Truth we seem to forget :: this thing of grace, this thing of mercy, this thing of Love that passes through death's grip and into Life abundant.

and this, this is the marvel of marvels. 
that He called me beloved. 
{c.s. lewis}

in which I am doing something

{photo by me via Instagram}

in 2011, I wrote 297 posts.

it was the second year of my blog, the first full year from January to December. my mother called me prolific, and it was true. I was writing a post nearly every single day, sitting at the computer agonizing over something to write that was profound enough, that was rich enough, that was "good enough" for me to push publish and let it fly. and if I ever missed  a day, ever missed a step, I would apologize profusely, as if I had broken some never-made promise to always be present, always have words.

since I started writing, I've always felt like I had something to prove. that's what happens when you get married a week after your nineteenth birthday instead of going to college, and people are breathing down your neck for you to do something. it's not commonly done, choosing to become a wife instead of pursuing a degree. and so I wrote, wildly, and in some respects it was good because it was a honing period, a chance for me to understand the edges of my voice and what it had the potential to sound like , eventually.

but I had to clear my throat first because I had so many other voices at war in my vocal chords to the point that it was hard to figure out which was mine and which ones belong to everyone else. they taught me a lot, these other voices, because they pruned me down by making me feel uncomfortable. their words fit in their mouths so perfectly, but they were the wrong shape for mine.

:: :: 

I started to press myself deep into the Lion in those days, the ones that heralded the start of my thrashing as I shed my dead skin and sunk deeper into that lioness hide where I belonged, a selkie of a land-bourne sort. that's when I started to realize something.

maybe Susan wasn't "spared" death in the train crash because she was leaning toward boys and make-up and things that were pushing her into socially-appropriate adulthood. maybe it wasn't Lewis' way of chiding children for growing up, for choosing to walk . because if that was his point, if his purpose was to chase away adulthood and keep them locked in innocence forever, then Aslan wouldn't have been needed, and His own words would have been made void.

{photo by Nikki Jean Photography}

there, I have a different name. you must learn to know me by that name. that was the very reason you were brought into Narnia, so that by knowing Me here, you might know me better there. 

and in those words, I started to understand.

I have absolutely nothing to prove for being in the Land where He placed me. 

my voice and my story and my authenticity are mine, breathed holy straight into my lungs from the mouth of Lion on the mountaintop. it is a shift from the familiar, and it makes me feel a bit of a dervish. but this view, it's breathtaking.

I've spit out the salt water. my throat is clear.

and I'm prepared to speak.

blessings on the sh***y

{photo by me}

blessings on the sh***y, she said to me, and I gasped. it's impossible not to gasp when someone lays prophecy over you like that after you confess to her that your Wednesday has been more like a Monday and there isn't much left except to sit.

she blessed the ugly, the parts of the day that we don't talk about publicly because they make everything fade a little, and no one wants to see your fading. except that David wrote a hundred psalms where he cried from the recesses of the cave, the ones where he begged for rescue and in the same breath, he whispered, in You, oh God, I put my trust. 

she blessed the tangled, the cracking spots, and I'm starting to see why. because those cracks let a little bit of light through. who says that breaking lets in the darkness? I've had a lot bottled up, tiny fists beating against the glass wall, fairy dust merging with gunpowder, and the glory was suffocating while I leaned all my weight on the lid.

and then she blessed the sh***y, and I cracked a little.

live into it, she urged, and I felt something give. those strange-faced ones, the ones that speak into my life without relationship, they warned against the dam, warning that there was pulsing wildness behind it, and it could kill someone if let free. hold it up, keep it together, press your fingers in like mortar.

but then I realized that I was dehydrating, that my skin was cracking and my hair was fading from fire-glow to guttering embers. fire and water don't mix, but that's the paradox, isn't it? because without Living Water, I have no air, and the spark flickers. and my fingers came free and the water gushed like uninhibited Elven stallions to drown the black horde clamoring behind me. it was deep drinking, full soul hydration, saturation in pure life.

live into it, she said, and I pressed against the thin places, the spots where the darkness flew out and the Light streamed in like holy saline straight into the veins of my soul.

and so, oh love, wherever you are.

blessings on the sh***y. blessings on the thin places. blessings on the broken glass, blessings on the tangled.

live into it, dearheart. pen your Psalms in the cave.

{my dear friend, Esther, the woman who spoke these words over me, wrote something of her own on this subject. read her words, won't you?}

for when you're sitting in limbo

{my girl and my love watching the snow.
they teach me the most.}

I am in the state of limbo that every writer who has ever submitted their work for publication knows intimately. it's the period between submission, the pushing of the words out from your hands to another pair of stranger-eyes, and the hearing of the acceptance or the rejection.

I sent my short story, Coffee, out for publication right around the end of January. I haven't heard back yet, and that's to be expected, as I was told it could be as late as April 1st before I heard anything in either direction. I still check the acceptance page of the publication's website every day.

my friend Brandy says this: just putting yourself out there is a win. aim for rejections. it's so foreign to me, this concept that even releasing your words is a step in the right direction, that a rejection letter is a sign that you did the impossible. you wrote something and sent it out.

honestly? I'm not in that place yet. I can't look at rejections as positive reinforcement, as reminders to keep trying. I haven't been able to stop the heart-pounding when I think, maybe they won't like me. it's reminiscent of being a child, right on the edge of the all-wood playset in the yard of the school, wiggling my fingers back and forth against my legs as I watched the other children chase and swing and toss pebbles at one another.

I just want them to like me. 

writing is vulnerability personified. I've said that before, that exact sentence almost exactly a month ago when I acknowledged that this process is, for me, wandering deep into the lair of a dragon. even more than that, it's realizing that I have no weapon, and that my intent is to ask the beast to share a meal with me. writing is walking up to the Big Bad Wolf, holding out my basket and whispering,

Grandma's not home. do you want to share?

{my writing space}

that's how I can tell that I'm doing what I'm supposed to be doing. there's a whole new kind of fear that comes when you recognize your calling and understand that breaking bread with dragons can be written in my resume under "job description." it's one of those moments in the tent, the kind where you overhear the Angel of the Lord tell your husband that you're going to have a baby at ninety years old, and you laugh because it's impossible. you have to laugh. it's that or cry.

the website for the publication to which I submitted uses the words "in progress" to refer to a work that hasn't been "completed" {passed on} or "accepted for publication." I think that's prophecy, in it's own way.

I'm still waiting. I'm still in progress, fidgeting a little bit as I wait to hear where my words will go next. I'm still refreshing the page every day, still watching the number beside my name, the one that identifies me as a writer.

I can feel Him looking at me, straight through the doorway of my tent, the place where I sat and laughed when He spoke a calling over me. I can hear the way He shakes His mane, the way the wind whispers through the wilderness and weaves around Him. 

Rachel, why did you laugh? I will return, and you will bear. 

here's to indecency

{photo by Jennifer Upton}

monotony is easy. safe is easy.

quite frankly, there are days when I'd so much rather withdraw into the protected little hovel I dug for myself in the early days. sometimes I want to go back to when the words were pretty and drew a crowd and fit where they was "supposed to," according to the rule list.

who made those rules? I'm still not exactly sure. but I can tell you this much :: it wasn't Jesus.

two days ago, I wrote about being published with profanity. the piece isn't even live yet -- not until Wednesday -- and already, I'm feeling the pressure to apologize. I've been told that I'm pushing the envelope too far, that it's so great that I'm expanding my horizons, but no one likes a lady with a potty mouth. that just because I'm saying that it could be holy doesn't mean that it will be.

I've even been told that holy ground is not mine to declare. I've been told that I'm trying to pull the power out of God's hands, that Moses didn't light the bush on fire, so why am I?

because He already lit my soul on fire. 

I'm not declaring holy ground because it's a whim, because I'm throwing the word around to land willy-nilly on any spare scrap of earth. it's because the first spark was kindled hot in the depths of my soul by the Lion's roaring.

and sometimes it's not always presentable. sometimes holiness is scandalous, the kind that makes people put their hand to their mouth and whisper about you in the shadows. sometimes you can hear them talking, feeling them pointing, talking about decorum and the way it should be.

but He made me risky. He showed me how to shed the world's clothing and walk a little closer to the line, whispering,

I didn't draw that line. walk My line, not theirs. 

that's what being a writer is. it's shedding the appropriateness of social norms, it's digging your fingers into the smothering wardrobe of darkness and ripping it off in shreds. it's pure risk, pure surrender.

so, here's to clinging tight to the filthy robe of the Rabbi and realizing that the path is easy without all the extra weight pulling me all over the road.

here's to holy, sacred indecency.

anticipating scarcity

{photo by Jennifer Upton

I am vibrating. 

there's really no other description for the way I'm feeling than that. vibrating :: a quivering, a throbbing. it's more than just anticipation. in a sense, it's an overwhelming soul-tremor. 

this season is a cracking. it's foreshadowing of the next season of Holiness, for the breaking and bleeding and the tearing from top to bottom. there will be an earthquake then, too, as angel feet brush against stone. it's an opening in the darkest of places. it's a springing forth in complete darkness. 

there's a reason this is my favourite time of year. it's the time of the year where the darkness is not only expected, it's accepted. there's a word that flutters around the December page on the calender :: scarcity.

but then, that's been a theme over the entirety of 2013. a thousand things happened this year, things that filled me with more conflicting emotions than I thought a person could contain without exploding. there was grief so great it threw me on the ground, there was euphoria beyond my wildest
imaginings. there was loss and love and a mighty settling. but there was a scarcity.

a scarcity of knowing. 

there was peace, even amid the tremors. but there was barely any sort of knowing. and honestly? I'm not expecting 2014 to have any more knowing within it than 2013. I stepped into 1/1/2013 with a word on my tongue: release. and oh, every time I take a word, I wait for the impact. it always comes. and this year was no exception.

{photo by Jennifer Upton}

there was so much releasing. there were times that the letting go was pried from my tightly clenched fingers. I did not want to let go off the house that I was sure was the perfect one, my magic purple dream house tucked in the woods. I didn't want to let my grandmother go, but then, I didn't have a choice on that one, either.

but then, He was a table-toppler. He didn't come to settle into a corner with a cluster of lambs gathered around His feet. He came to stand in the gap, to stretch His arms out and shake things up. but He came in silence, first.

it's so appropriate that we end the year on this Savior-coming note. this Advent, this expectation. that's how every single year ends, wrapping its arms around us and crooning gentle against the ears of our souls.

yes, things will be scarce. and there will be such weeping, and such shouting, and such laughter, and such brokenness that you fear you will never stand again. but breathe, dearheart. there will always be air. and there will always be Me.

my word for 2014 :: it's coming, slowly. it'll be here when it needs to be. things never happen the same way twice. but there will be scarcity, this I know. and maybe it's time that I sat in the light of a candle, incense smoke swirling, and allowed it to settle here with me.

there is a scarcity of knowing. 

but never a scarcity of promise. 

dark horse

{pinterest}

i am my own dark horse.

i love that expression :: dark  horse, emerging from the back of the pack, from nothing to prominence. there's something so powerful about the image. it's sacred.

it's something i've come to realize about myself in recent days. this process of blogging has been a gradual metamorphosis, a process of flushing out what i really think about the world, about my faith, about what i want to do with my writing. i was this strange caterpillar creature, this thing that had its own strange beauty, but looked just like all the rest. and then i crawled into my cocoon and things started to shift inside.

ever since i started lifting my eyes to meet the faces around me and speaking a little braver, i've felt vulnerable in a way that i haven't experienced in a long time. i've been doing a lot of thinking, filling my mental pages with so many notes and thoughts with very little making it to paper. that's odd for me, as i tend to gravitate toward scribbling ink-notes on any scrap within my reach.

i'm starting to realize that blogging might be more of a contact sport than i originally anticipated.

so you wanna play with magic. you should know what you're falling for. 

baby, do you dare to do this? i'm coming at you like a dark horse.
:: dark horse :: katy perry ::  

i just wanted to write pretty words. i just wanted to be famous. i wanted to play with the big boys and girls who sat at their computers and sussed out beautiful words and had people gasping and nodding and whispering, "so true, oh yes, very profound."

i don't know when it got so real. i don't know when i stopped writing the surface and found myself under the water, completely engulfed. i don't know when my voice started getting louder. it's still shaking, but it's getting louder.

love is not a victory march
it's a cold and it's a broken hallelujah

and i'm starting to realize that this rise and fall, this wave and this shift, it's normal. it's what i can anticipate now as i'm opening my shutters further. the more Light that plays on the floor, the warmer i become. it's filling me up, exploding out my fingers and toes. it's the most holy-hush i've ever experienced.

i'm becoming more and more okay with my lack of "safe faith." it was a statement, repeated over and over, almost becoming trite like a repeated mealtime prayer :: not safe, but good. but it's not just words anymore. it's my existence. i have flung myself off the cliff, and i'm falling at break-neck speed. it's a whirlwind. 

but i can smell Him in the air. 

throwing down {a poem of sorts}

{via perspective artista}

i've decided to throw down the sword, the one that they put in my hand from the minute i took a breath to see how well i could lift it. they called it Truth, but it didn't match the Words He whispered on the parchment page. they told me that was okay, it wasn't possible for me to understand. not really. they’d tell me, and then it would make sense. 

they promised.

i've decided to cut the cord, to let it go, to turn the hands of the clock back until they hit the point when i shut my eyes so tight that they knew they’d never open again. or at least, not until I turned my head in the direction of the Sun and let the wax melt away.

i don’t know when I looked down into the chalice and saw the wine turned to water because someone decided the miracle was too strong and that it burned going down. it's safer this way, they said, you must be set apart, but never let them smell it on your breath.

there's a lovely gag already fashioned for your feminine mouth, they said. it tastes like sweet things and silence and contentment. you should try it on. we made it for you special. 

but see, i’d rather be covered in dirt and know what the edge of His robe feels like than hold onto the neat and tidy pew-back and never know the way that Israeli dirt and forgiveness smells when it fills up my nose. i’d rather have them make me walk the line because the aroma of Him is so strong on me that they can tell that i’ve been even without me opening my mouth. 

that thing about gripping His robe :: it's been inside me for a long while. it's been ever since i figured out that my hand fit better inside of Rahab's than it did Mary's. i used to want to sit on the alabaster throne with my fingers clutching a scepter and clad all in white, a princess over a kingdom of my own choosing. 

but it didn't take long before i realized that the only alabaster that fit within my grasping fingers was shaped like a perfume jar. 

my tears and i found a safer lodging at His feet. 

and then He breathed. and my bindings caught the wind and flew as far as the east from the west.

i haven't seen them since. 

holy ground

{via pinterest}

it's holy ground when the darkness comes and you're sitting folding laundry and picking up dropped Apple Jacks while your husband sleeps. on the couch.

it's holy ground when you find yourself barefoot on the hardwood steps realizing that you're in the place you've dreamed of being your entire life.

it's holy ground when you find yourself shaking because the honesty and the vulnerability is coming out in gushes and waves, and you're lifting your eyes to see through the veil to the Holiest of Holy places and you realize the veil is hanging in shreds and you can see His land uninhibited. and through the tears, it glitters.

it doesn't have to be beautiful to be holy ground. 

sometimes we forget that Moses found himself barefoot on the side of a mountain with wilderness spreading vast and wild all around him, and there was a bush that burned and it was not consumed. and He was in the fire.

sometimes holy ground is burning without being destroyed.

i slipped into the mentality, somehow, that holy ground was safely tucked within the four walls with a cross on the top, and that was the only place it could be found. i remember slipping my shoes off and wandering through the grass around my parents' property and thinking, this could be holy, this right here. too bad there isn't a church here. 

but it was consecrated ground from the moment i lifted my eyes up and whispered, find me here. i've been clinging to Narnia my entire life. i cried His name over the meadows and fields that spread behind my parents' house, and i reached out for Him.

i called for Him as He had been calling for me.

we declared holy ground.

{this was the first of many weekly prompts from Story Sessions. join us, won't you?}

no more plastic Jesus

i'm sitting on big words.

i have been a lot lately. even since i let myself swing open long-locked doors and start to let the river of Story flow out. and it's refreshing, crashing waves on the bank of my soul. but every time i bend to take a drink, i start to become afraid that i'm going to drown.

i told you all the things i wanted to tell you about my story, big pieces of me that came from years of standing in a place of not understand what it was that i believed. i wrapped myself up in what i thought was the blanket of Christianity, only to find out that it was actually something completely different, and it was suffocating me.

i was disillusioned by a plastic faith. my Jesus was dime-store cheap with a wind-up key in His back. and i was the one with my fingers around the key, watching Him toddle wherever i pointed Him. and in the process, i tied the strings around my wrists and ankles and became a wooden puppet with a hand-sewn faith core. 

when i talked about how i can't call myself a Christian anymore, many people recoiled, as i knew they would. how could i say such a thing? many people applauded because i didn't quite fit that "good Christian girl" look that they were going for, and of course, it would be better if i sat this one out. it proved a thousand points in my heart. it validated everything that i'd been feeling.

because i've watched what the Church has done. in truth, i've done more than watch. i was never a stone-thower. i made a point to never do that. but i held the coats and stood on the sidelines. i never picked up a rock, and that made it okay. i wasn't like that. except that i was.

i can't escape this now

unless You show me how.

 demons // imagine dragons 

and i refused to let myself realize it until my story matched up with the ones that were receiving the beating. and it it echoed like a howl across the wilderness. i melted.


this is what makes me want to tell my story. this is what makes me need to tell my story. it's what makes me stand up and say :: He knows what kind of woman i am. and He is letting me touch Him. 

it's why i've thrown my plastic Jesus into the trash and shut the lid. it's why i've ripped off the blue and white label clinging to my chest, the one with the scribbled Sharpie name that says, please don't touch me, you might get blood on my righteousness, and red is impossible to get out.

i'm sitting on big words. huge words. words that used to be lodged deep in my throat, in a prison that i didn't even know existed. and they're trickling out, becoming a brook, and then a stream, and then a river, bursting over its banks and pooling at my feet and there's a Voice whispering, I am calling to you. jump in. 

and this voice is Raw. Alive. Flesh.
there is nothing plastic about Him.

i'm kneeling there, beside the water, and there's mud and blood and messy wildness covering me from head to toe. and the Lion is there, breathing and real and wilder than He's ever been, crouching at my side. and He's whispering still,

it's not really drowning, lioness
when the Water is alive. 

i want to tell you

{via pinterest}

i want to tell you my story. but i'm scared.

i want to tell you that my parents tried, that they were wonderful people who heard a word and let it twist inside the wrong direction. i want to tell you that i still love them, and they still love me, even though i'm still healing from some of their raising choices. i want to tell you that they're changing too, and they're not the people they used to be anymore either, that they're beautiful people with His hand-print etched deeper than it ever was.

but i'm scared.

i want to tell you that i grew up in purity culture where modesty was more important than personhood, where my worth as a woman was measured by the length of my skirts and the height of my neckline. i want to tell you that i followed blindly because i was too scared to take my sunglasses off inside the Church.

but i'm scared.

i want to tell you that i courted my husband and we have so much regret from the way we were guided into love. i want to tell you that i look back and i think, why didn't i just kiss him a thousand times before i finally took a breath of courage, and why did the fear have to come so strong afterward? i think, why didn't i press that Joshua Harris book back onto the shelf and whisper, it's okay. i'm going to hold his hand and we're both going to chase the Lion instead of legalism...why didn't i?

but i'm scared.

i want to tell you that i found a way back into love surrounded by a tribe of women who helped peel the duct tape off my mouth that the well-meaning Church slipped over my lips when i wasn't looking. i want to tell you that i've sobbed my eyes out for the nearly twenty-one years lost in blindness before i dared to look straight into His eyes and whisper, i don't know You. but You know me. 

{via pinterest}

but i'm scared.

i want to tell you that i realized that i was a Jesus feminist when they placed my daughter into my arms and i looked at her face and thought, i can't let her endure what i did. i want to tell you that stepping out as a feminist was like my own personal closet with helpings of shame and grief that came alongside the breathing.

but i'm scared.

i want to tell you that i love you. i want to tell you that i love Jesus. i want to tell you that i see Him as a Lion because He isn't safe, and i can't do safe faith anymore. i want to tell You that i'm messy, and so is Jesus, and that's why i can lean on Him so fully, because i'm not afraid that me will rub off on Him. :: if anything, He's rubbing off on me. 

and like i've said, i'm scared.

but i think i'm going to tell you anyway. because He has made me a wild thing, a lioness renewed with the wings of an albatross at her back.

*deep breath*