the girl I was once

{photo credit unknown. do you know?
tell me, won't you?}

the girls we once were are coming back to us now. 
whispering their stories, our stories, in our ears. 
let us hear.
:: brandy walker

the girl I was once is the Statue of Liberty, standing at the entrance to my path with a torch raised, whispering, give me your tired, your poor, your huddled masses yearning to breathe free, except her voice is my own and it's stronger than I remember.

the girl I was once is a shadow turned concrete, the whisper of what could have been turned solid for me to wrap my fingers around and pull in close. she is a monument to growth, a grave-marker for silence, standing cement vigil so that I do not return to the shadows again.

the girl I was once is a blind figure of Justice, a flowing painting of Venus born, a fractured mirror made whole in the Light streaming from behind two beams of splintered wood. she is the fabric of the aerialist, giving wings to the earth-bound. she is the needle and thread in the hand of the Tailor, pressing fresh back against flesh as holy Blood flows in reverse from ground into veins.

the girl I was once is speaking words, repetition on her tongue of phrases once forgotten, turning shame into a dead language and self-deprecation into a dialect that even the Rosetta Stone has scratched from its surface. I close my eyes and she is singing His song, words familiar even if I do not yet completely understand them :: go deeper, little daughter. without borders, wander. 

the girl I was once is cracking. the layer of mud all on the outside is cracking, flaking off in pieces, in powder, in ash, in manure. she is filthy and she reeks of death, of abandonment, of uncovered skin and mocking cries. she is scarred, each line and each raw spot seen clearer when the shell falls away. she hid it once, but no longer, because they are breadcrumbs on the path and she follows them back with a tracing fingertip to remember the way she never wants to go again.

the girl I was once, she is still part of me. she is my calling, the reflection in the looking glass when I don't recognize myself. she is the thing that pulls me back. she runs her fingers through my hair and pats my cheek. I see her reflected in the eyes of my daughter, and I gasp at the way she is beautiful now in a way that was unrecognizable when I looked through her eyes.

the girl I was once, she's coming back. she's a reminder that night brings morning. she shows me that stepping into a dark room can make things muddled for a moment, but there is light peeking through the cracks that cannot be seen when the sun is blinding.

she is renewed. she is Lion-breathed. she is coming back and rising up. she is pressing tentative fingertips into the nail-marks on His palms and realizing that His breath is turning the doubt into straw on the breeze. she is building stone houses on solid ground.

That voice inside of us? She knows where the shalom is. 
May we trust her
and let her lead.
:: brandy walker

{today is National Women's Day. today, we are joining hands across the world. we are reconnecting with the girls we once were, and there is room for you, a space for your flag to fly strong in the Holy wind. join us and share your story, beloved.}

the ashes

today is the day of ashes. today is the day where sins are spoken aloud for the sake of repentance from Dark and a purposeful turning toward Light. today is the day when fingers brush against foreheads and the sign of the cross lays plain in a darkened smudge upon skin. tradition speaks of palm fronds from the previous year's Palm Sunday celebration being used to create the ashes. it's cyclical, symbolic if not literally done. 

the ashes are made by His coming. 

this phrase evokes a holy hush within my soul. sins are spoken and forgiveness is sought, and the ashes are smeared in the shape of the instrument that smothered the air from His lungs as His life drained out. for me. and the ashes were made from the waving fronds of the King's entrance into the city. 

when He comes, the Darkness bursts into flame. the blackness becomes Light and redemption is spoken in a voice once whispering but now rising in volume. that is what this season is. it is a whispering start that lifts and intensifies with each passing day. this season is not about what you are giving up, it is not about forty days of enduring life without internet or caffeine or breakfast. 

this day is the calm that settles before the storm. this season is the rumble that comes to alert all who hear that there is a bursting coming, a breaking forth unlike any other. 

so this year, I am pursuing Lent with an air of anticipation. I am leaving shame, expectations, guilt, self-loathing, and scarcity on the skull-shaped hill. I am wearing the ashes on my soul because they are a reminder that darkness is brief and that Water is stronger than dirt. 

this is the day of ashes. this is the day of repentance. this is the day of heads bowed to the floor, ears pressed flat to the earth, listening. this is the day of the whispering.

my Deliverer is coming. 

my Deliver is standing by. 

wild night, holy night

{photo by me}

I want to talk about the wildness.

did you know that this season is the start of the wilding?

we don’t talk about it, we don’t focus on it, hardly ever. we focus on the two extremes, the war on Christmas or the silence of the must-be-holy.

there is the madhouse of the mall, the shopping centers pulsing and writhing with need and want and heads down to make it from one aisle to another. or there is the Silent Night, the soft moments that are left behind the closed doors of imagination, the things that cause lit candles to flicker to the tune of Oh Holy Night. 

those are your options. pick one and have done.

but I can’t. I can’t release that wildness, the one we feel obligated to leave at the door as we find our places in the pews in their special liturgical rows. because there was screaming and howling and blood, so much blood. and was there even a midwife, anyone save the rough carpenter hands fumbling? It was foreign, one virgin touching another in a way far different than they could have anticipated.

there was wildness. this I promise.

but it’s not just the cave and the hills and the shepherds humming the song of the expectation to their flocks. It’s not just the mooing of cows to the tune of birthing screams.

it’s the sacred conflict, the holiness of the One long awaited slipping in a rush from body to hands in darkness. it’s the way we strip away this rawness, this wildness, the very moment the tree is tucked away and the candles are guttering in their sconces.

{photo by jennifer upton}

we wipe Him down and place Him neatly on His prepared shelf, and say, “there You go. You were so dirty, and now You look like us.”

it’s not that He was Anglo-Saxon or Mediterranean, it’s not that He was born in humble state and then raised up high. it’s that He was born wild, raised in His own Messianic rebellion. and then He poured out the essence of Himself on the ground into a puddle that splashed against their shoes.

but we would rather see Him clean. His birth was blood and straw. His life was dirt and wind and callouses on His fingers and blisters on His toes. His death was blood and splintered wood. His burial was ice cold stone and humbly woven linen strips.

there is a reason for the falling to knees and whispering, “oh night, divine.” 

because what is more holy that the Mighty taking a seat beside the bleeding and pulling them against themselves? what is more sacred than the Lion taking the wounded lamb and letting her blood turn His mane from brown to crusty sodden red?

oh, holy night. 

dark horse

{pinterest}

i am my own dark horse.

i love that expression :: dark  horse, emerging from the back of the pack, from nothing to prominence. there's something so powerful about the image. it's sacred.

it's something i've come to realize about myself in recent days. this process of blogging has been a gradual metamorphosis, a process of flushing out what i really think about the world, about my faith, about what i want to do with my writing. i was this strange caterpillar creature, this thing that had its own strange beauty, but looked just like all the rest. and then i crawled into my cocoon and things started to shift inside.

ever since i started lifting my eyes to meet the faces around me and speaking a little braver, i've felt vulnerable in a way that i haven't experienced in a long time. i've been doing a lot of thinking, filling my mental pages with so many notes and thoughts with very little making it to paper. that's odd for me, as i tend to gravitate toward scribbling ink-notes on any scrap within my reach.

i'm starting to realize that blogging might be more of a contact sport than i originally anticipated.

so you wanna play with magic. you should know what you're falling for. 

baby, do you dare to do this? i'm coming at you like a dark horse.
:: dark horse :: katy perry ::  

i just wanted to write pretty words. i just wanted to be famous. i wanted to play with the big boys and girls who sat at their computers and sussed out beautiful words and had people gasping and nodding and whispering, "so true, oh yes, very profound."

i don't know when it got so real. i don't know when i stopped writing the surface and found myself under the water, completely engulfed. i don't know when my voice started getting louder. it's still shaking, but it's getting louder.

love is not a victory march
it's a cold and it's a broken hallelujah

and i'm starting to realize that this rise and fall, this wave and this shift, it's normal. it's what i can anticipate now as i'm opening my shutters further. the more Light that plays on the floor, the warmer i become. it's filling me up, exploding out my fingers and toes. it's the most holy-hush i've ever experienced.

i'm becoming more and more okay with my lack of "safe faith." it was a statement, repeated over and over, almost becoming trite like a repeated mealtime prayer :: not safe, but good. but it's not just words anymore. it's my existence. i have flung myself off the cliff, and i'm falling at break-neck speed. it's a whirlwind. 

but i can smell Him in the air. 

the silent moment :: everything

i remember the night i held a gun to my head. and it was the quietest moment of my life.

i was seventeen. the gun was plastic, a $2 knicknack from WalMart, one of maybe twenty just like it, tossed into a plastic bin and carried from one country to another. i was one of close to four thousand other teenagers all pressed closed and gathered in a Peruvian resort, all in pursuit of discipleship and missions. seven of us felt something tug at us. we were performing the Lifehouse Everything Skit.

it's burned into my head. standing on that stage, the music in the background, every step and movement rehearsed to an art. and how can i stand here with You and not be moved by You....and then came the lifting of the pistol to my head.


it was the most profound hush of my entire life. everything else seemed to fade out, a whisper in the background as i met with the Most High for the first time in the most sacred of ways. it was the first time i ever heard Him speak. and i was holding a plastic gun against my temple.

you're about to throw yourself at Me figuratively

darkness is holding death

throw yourself at Me literally 

i will catch You. 

let go of death, grasp tight to Life

i will catch You. 

{photo by Ron Nickel; property of dramaticelegance}

i was supposed to drop the gun to the floor. 

i threw it across the room. 

i was supposed to lean toward my friend playing Jesus, reaching for his hand. 

i flung myself at Him. 

there were other actors there, playing temptation, lust, deception, distractions. they were there to fight me, to keep me from Him. they were acting, and so was i. but there was something deep in me that was not acting. something had broken inside me. and it got loud inside me for a split second. it was a moment of warring, clawing and clutching for the hand of the Holy One.

and then He dove in and held them back. arms stretched out, He held back the flood. 

and the quiet came again. the hush of the Holy overcame me and something inside me settled. i was on my knees, three thousand miles from my American home and comforts, from my familiar church and my well-known faces. 

He met me there, silent in the crowd 

with a plastic pistol to my head. 

vespers in the wild :: uncensoring glory

{photo property of dramaticelegance}

my soul and i had vespers in the rain tonight beside the river with the Most High. the funny thing is that i didn't even know what to call the moment. and then came the word into my soul, gentle but strange.

vespers. an evening prayer service. 

and we hummed a gentle song to the splash of water-drops on the surface of the water, a song i've whispered familiar since the day i first dared to touch, even before i knew what it was. we had church together, me nestled at His feet, the rain tapping out the hymn-rhythm

what wondrous love is this

oh my soul, oh my soul

all i wanted to do was press my face into the sandy soil. even now, sitting here in my space, sky darkening and stars rising on the other side of the windowpane, i yearn to lean up and brush my cheek against His palm. 

why do we only think that God is in a building, tucked among supposed "sacredness," confined in a neat-pressed suit in the front row? He isn't a tame Lion. what is our obsession with caging God? 

the sky is big, but He's bigger, and He made it string by string. the Lord of Heaven was humble enough to spin threads into skeins, weaving chords into fabric, tossed out wide and streaked with His own brand of love-paint. 

:: why must we make Him fit our tiny space? 

{via pinterest}

we debate heatedly between unforseen and sloppy wet, back and forth as though all salvation depended upon words in a song that mean nothing when we should be in wondrous soul-gasping at oh, how He loves us, oh...

we shut the door on His story and tie a muzzle around the mouth of the Lion of Judah because the words He speaks aren't the ones that sit smooth. milk is cool and simple, nothing complex, nothing wild. and so we pour out the Blood behind the bushes and pass the milk-filled chalice around. it's easier to swallow. 

we censor glory to fit our mouths and shut the lid on Light when it's just too bright without sunglasses, and we left ours at home. He is Light without a spotlight or a pulpit or a podium to make His space appropriate. 

He is where His are.

and so i'm going to have vespers in the wild, tucked in the moments between His every breath. i'm diving into His space, the ocean of His glory, and letting Him shed away my snakeskin for a sacred-Lioness mane and a mermaid tail.

what do i know of You who spoke me into motion? 

where have i even stood but the shore along Your ocean? 

what do i know of holy // addison road