the sufficiency in price tags

{photo via Unsplash}

I've reached the point, the rather terrifying reality, that people -- strangers and friends alike -- are going to be paying good, hard-earned money for my book.

I feel awkward even attempting to write this post. my guilt is irrational, silly even. and it all comes down to self-doubt. a mistrust in my own words.

the fact that my words are being brought down to dollars and cents makes me uncomfortable. mostly because I'm facing the weird reality that my words are actually worth people reaching into their wallets and pressing money into my palm. that the nine months I've spent pouring my soul into vowels and consonants and syllables and paragraphs are actually worthy of purchase.

:: it almost feels like I'm putting my soul on the market. 

people ask me all the time what this book is about. it's the first question that comes after the words "I wrote a book" leave my mouth. and my answers have been stumbling, faltering, mostly some excuse as to how it's "a faerie tale" and "I feel so silly." but recently, I've started channeling the way I feel about this book into my explanation.

so really, it comes down to this.

this story isn't about Faeries. well, it is, but not really. it's about people. it's about magic that IS them, that is an extension of who they are. and isn't that kinda deep, in a way? so what, it's not an existential theory. so what, it's fiction and fantasy. 

so what, maybe I want to be like J.K. Rowling when I grow up.

and you know something? people pay for J.K's books. she doesn't just drop them like manna from the skies. she presses those hefty volumes into hearts and whispers, "they cost money because I know they're worth every cent."

and my book isn't Harry Potter. because I'm not J.K. and my book isn't The Fault in Our Stars. because I'm no John Green.

but pricetags don't equal selling my soul. they mean that I'm putting value on myself, assigning value to my art and my words and my work.

and I can't help but lean heavy on the words Aslan spoke to a frightened boy-turned-king:

"if you had felt yourself sufficient, it would have been proof that you were not.” 

{I'm going to live in Aslan's Country. where He makes me sufficient}.

broken benches

{photo taken via VSCOCam :: by Rachel Haas}

writing is hard when you're writing.
you become a broken bench, in a way.

there are slats falling down
side
ways.
you're still a bench.
but there are holes and sitting


it's complicated.

writing a book is hard, period.
it's one of those things where you could jump up and down and pat your head and rub your tummy and walk across hot coals to bring back rubies clutched in your teeth

...and it would still be easier than getting those words down.
and yet we do it because we are it.
we are writers who write things.

writers who don't write things are benches made of fog.
you can see us
we just go away when you breathe a little too hard.

writing is complicated
with a lot of parts and pieces and bits and bobs
and upside down handstands.
and coffee.

and you can feel like a broken bench.
but you're still a bench.
when people fall on you, their hands connect with solid wood and scrappy frame.
you're plucky, you are.

they can rest there.
because broken benches are still benches.

I'm no John Green.

as you might have gathered, I'm writing a book. I've been quiet about it here for no other reason than because my words have been channeled in a different direction.

sometimes it feels more like I'm throwing words at a page hoping some will stick. even more often than that, I find myself sobbing my way through yet another John Green novel and wondering, why can't I write like this? 

{in case you're curious, comparison is a bitch. steer clear, loves}

I've been trying to figure this book out. I've spent hours pouring over the FAQs for indie publishing on Kindle. see, the big dream is to be picked up by a publisher. to have someone read your words and fall in love with the characters and the worlds you've invented. but that isn't the only road.

and so I'm in the process of becoming an indie author. just writing those words is terrifying. in the best possible way.

when you're a writer, terrifying is what you sign up for. when you're a writer, don't expect little things. because if you do, you will get little things. if you walk in with your eyes open and your fingers twisted in that half-prayer, half-nerves kind of way, you're going to get big things. 

even if they aren't the big things you imagined.

sometimes I sit back and I laugh at the very thought of what I've undertaken. I understand that moment when Gideon stared into the eyes of the Son of the Most High from the bottom of a fear-stained threshing-floor and said, me? but I'm no one. I'm the least of the least. 

except I'm not. I'm sitting at my computer, wielding words that have turned into holiness by mistake. this wild magical book, this tale of portals and spilled blood and triumph and a song that breathes magic back into drained-dry bodies. and I'm realizing more and more that I am writing the essential story.

I'm no John Green.

and that is the very best thing.

{this book is closer than you think. did you know it has a fan page on Facebook? find me there!}

the silent-growing green

today I cracked eggs into a bowl and blended them with milk and garlic powder and hand-cracked black pepper from my own little grinder. the jagged little lines on the edge of the broken eggshells are as tidy as I've been lately.

expected sharp edges.

today I climbed on my hands and knees under my art table set up kitty-corner from the washer and the drier and picked up little pieces of torn cloth and ripped paper and matchsticks and little boxes of laundry detergent. the mess is where I've been at lately.

it felt good to tidy it up.

:: ::

sometimes i think we get lost, as writers. we find a goal and pound toward it, head down and jaw set. at least, that's how it is for me.

and it's so easy to get lost in the words and the ever-rising word count and let my own story get lost completely in the haze. my fictional self is the kind that delves deeply into worlds made from scratch. and when I sink my fingers in, I let the story ooze all around and fill in all the spaces that aren't made from flesh and bone and blood and skin and family ties. that's how it works in my head.

other spaces become quieter. I used to think it was me dropping the ball, letting my blog fall slack. now I realize that it's an expectant hush.

a friend of mine asked the other day, is it okay if I still write books even if my blog has quieted down? the answers were resounding. do you. yes. oh yes. 

I wasn't the one that asked the original question. but I've been asking it for a long time. and I've been getting lost in this story of mine. I couldn't help but wonder, is this a bad thing? to turn my focus toward my book and my family and let my internet voice fade a little bit? 

there are writers that fill the internet, voice after voice after ringing chiming voice. they seem to be doing all the things, filling up pages upon pages of books and tending to their little wild ones and loving their spouses and writing blog posts on the regular.


but they aren't me, are they? and they aren't you.

:: ::

I talk about the wave a lot. that wave that separates Earth from Aslan's County, the one that crests and hides and then dips just enough for a sneak peak of what is to come. and sometimes I feel like I'm surfing that glorious wave. I can taste the salt.

I'm writing my book. still plodding on, adding pages and paragraphs, watching the word-count go up and feeling the excited prickle as things fall into place in the story that my dreams wove and my mind is baking from scratch like a new muffin recipe. I have no idea how it's going to turn out in the end. but I know that I can bake, and I know that it smells amazing.

so I'm on that wave. and yes, this place has fallen quiet, waiting in eagerness for the next wave to come. there are nights I sit in the darkness of my house at my desk with my candle flickering and the aroma of incense filling my nose as I compose just one more set of a thousand words. and I'm basking in the holy ground that is this particular kind of creation.

:: ::

today I went outside in my bare feet with grass between my toes to scrape away dead leaves and sticks and growing maple seed trees away from the roots of my hearty little rose bush.

it felt good to see the silent-growing green.

and that's where I'm at right now. I'm cresting a wave and catching just a glimpse of what lies on the other side. I'm feeling Holy Ground at my feet and my sides and my back. it's glorious, loves. and it's so frightening and so new and there are days when I cry a lot and swear that I cannot do this.

but then I get back up and I feel that salt water splash in my face. and I know. this is my place. this is my calling, where the God who sees me has shifted Heaven and Earth to place me. He shed precious crimson blood to dye a thread to hang in this window.

here is where I want you. 
come dwell here. come write here.
with Me. 

keep your eyes open for the silent-growing green.

dark chocolate

{photo by Rachel L. Haas}

are you writing? 

those words are familiar these days. they fill my message box with little smiley cyber-faces sent from the fingers of the ones who know me best. they know that I need the reminders. they know that I'm swimming against the current, and they know that sometimes I need a solid jerk on the towrope. 

and yes, I am writing. I'm just not doing a lot of writing here in this space. my blog has gone quiet since I started burying myself into my new fiction project. I'm writing a book. I'm not sure if that's really sunk in fully yet. every time I look at how far I've come, it makes me marvel. not because I'm writing. I'm always writing. not because I'm writing fiction. I've written fiction before. 

I'm in awe because I'm writing something that is making me afraid and brave all at the same time. both of those things come with the knowledge that I'm writing something that is more dark chocolate than cotton candy. 

go with me here, loves. 

there is a lot of cotton candy in the world. or maybe it's just the expectation of the sweet vapor, of the ease of acceptance of things that taste good. things that are uncomplicated. for the most part, everyone likes the sweet and the simple, the stuff that melts on your tongue and makes you feel happy.

but it's so much harder to write to write the bitter. it's hard to write the thing that not everyone will like, the thing that will lead the reader on a balance beam, toes stepping in a line on the wooden plank. it's hard to write things that will rankle, that will annoy. it's hard to write when you know some people -- maybe more than the rest -- will spit it out and toss the rest in the trashbin. 

it's hard to write dark chocolate. 

{photo via pinterest}

but I am learning to realize that some people like dark chocolate, if not on their tongues, then in their souls. they grip the bitter and savor the sweetness. they allow it to assure them that they are alive. they swallow it down and let it enter their deepest parts. they let it change the way they taste the world. 

cotton candy is good sometimes. it's good to soak in the lightness. it's good to flit. but dark chocolate is good for your heart. it's antioxidants. there is health in identifying with what your heart is saying, with what your soul needs. 

I'll tell  you a secret, loves. I think we all have dark chocolate flowing inside us. every single one of us, every writer, has this ability to bring out the strong and the bitter and the lingering hints of sweetness in every bite. 

oh writers, rise up. don't run from the sharp flavours that creep between your words. know that there are people waiting for your words. know that, for some, the best taste in the world is your brand of dark chocolate. 

know that the Creator lives and moves and breathes within you. 

so those dreams? risk them. 

those words? write them. 

those hopes? believe them.

:: Elora Ramirez

to a writer, for the moments

{my writing space}

for the moments when your words are few

run your fingers over the words you already have

for the moments when your words are flowing

let them pour hydration over your soul like ocean waves 

for the moments when you are broken down

carefully grasp the pieces and tuck them away

for the moments when holiness feels close, so close

reach out your fingers and accept the permission to touch the Word made Flesh. 

for the moments when you feel deflated

open your lungs and remember what oxygen tastes like. 

for the moments when you feel like dancing

spit out the fear and let your hips and soul move like one

for the moments when you feel like your flame is guttering

reach in the fire and remember what makes you burn.

feel the rumble in your bones. rise up, holy twigs animated by Glory and soul and oxygen. you have breath in you, even when it feels twisted out.

rise up, bones and skin and pumping blood and unseen glowing soul. you are aching and sore because you are working further up and further in. keep on. feel the rumble.

:: you are nearly there.

for when you're the {literary} odd one out

it's hard when you feel like the odd one out, when you feel like you're surrounded by people all doing one thing, all focusing their energy into something that is the exact opposite of "your thing." right now, I'm surrounded by memoirs. I'm seeing book after book moving from the hands of my friends and fellow bloggers and landing on bookstore shelves.

and it's hard when I feel like the odd one out, standing in the corner with my dragons and my faeries and my portals made of water and wine and looking glasses and I wonder, what am I doing? really. what am I doing?

I've talked about this before. I've talked about being the blogger that hasn't written a book. I've talked about my resolution to write a book in 2014. both of these are edging their way into my soul again, but in a completely different way. see, my word for this year is precipice, this thing of standing on the edge of a cliff. everything's been shed, and now I'm free to jump. right? 

maybe not. 

because I'm the blogger who writes fiction. I'm the blogger that can't seem to make memoir come out right, the one that watches beautiful personal stories flow from the hands of the ones I love and call "friend" and "inspiration" and "brother" and "sister." and I'm the blogger who, up until today, was planning on giving up fiction entirely.

it's burned me, this thing of writing magic and make-believe and inventing worlds and people from the recesses of my mind. February was a hard month for me, a month of feeling more and more drained away from the fictional calling that I've felt since I was four years old. it left me feeling silly, fragile, like a little girl who watches the butterflies flit from flower to flower, gluing wings to her back and then nursing a broken leg from her plunge from the roof of the garage. 

I might have never taken a literal top-of-roof plunge. but my soul has done it and it landed in the flowerbed hard enough to crack. it made me want to quit, to hang up my fictional scarf and don the far more practical garb of non-fiction author. this is my vulnerable, somehow, more than writing accounts of my own life. I don't know how that works :: I would explain it, if I could. 

I have a tattoo on my leg, a quill pen and flowing words :: we are all stories in the end. and it's funny that I've wanted to quit with this thing of stories inked deep into my flesh. I'm starting to realize that maybe my stories aren't the ones that match the rest of the blogging set. maybe I need to start my own set with my own pieces. my stories could open wardrobe doors. 

I'm not quitting. I can't take credit for that, not even a little bit. it's because my husband has his own sweetly blunt way of telling his wife to write though the spastic ramblings on the other end of the phone. it's because my thinker best friend spent forty-five minutes on the phone talking me out of tearing out the pages and burning them. it's because my tribe rallied around me and breathed life back into my words. 

it's because the Lion is holding me mid-air with His breath. not falling, but flying. 

so yes, I'm still writing a book in 2014. I'm still rallying around my words, or at least, I'm trying. they're just not the same words as everyone else. I'm not standing in the corner alone with my dragons and my faeries and my portals. not anymore. 

I'm stepping out and extending my hand. 

hi. I'm a writer. I write fiction. 

in which I write to remember

{via pinterest}

I write to remember.

I write to remember the way my daughter's head smelled the first moment they laid her in my arms, even as my body still groaning from the opening and the pulling and the needle stitching flesh back to flesh.

I write to remember the way his arm encircled my shoulder and his fingers dug into my hair as I sobbed into his chest the day they called and said that the matriach of my paternal family had slipped from terra firma to life abundant.

I write to remember the way that my calling put down roots in the same moment that a woman looked at me and called me reprobate, called me voice of distention, and the friend I had brought to defend me somehow slipped from my side to hers while I blinked.

I write to remember the freedom that started way  back when tears streamed down my parents' faces while my sister and I planted our feet and shook our heads, done with navy blue skirts and rules that added up to leave us too far from Jesus to be the right way.

I write to remember the heartache because it twisted my road like a snake shedding skin, whisking away death like rain washing mud from the base of a splintered cross but leaving the blood-stains. the death has to be remembered to celebrate the life.

there are days I'd rather forget, things that seem better to slip away through my fingers like an hourglass in reverse, days I'd rather use feeble fingers to push the hands of the clock backwards, even though they leave dents in my flesh. if someone invented cocoa butter for the soul, the kind that fades stretch marks and scars back into oblivion, there are days I would be tempted to buy them out of stock.

but I write to remember the way that Glory tastes on my tongue when all I've been eating is mud for a month. I write to remember the way His fingers feel on my cheek, the way His mane breezes like a whisper of be still and know, better than a hankie for wiping tears away.

I write because my cat chases beams of light on the carpet and my daughter giggles at her own reflection. I write because Holy is unchained and death flows backwards through the cracks in the stone.

I write so I don't forget the way home.

{this is my answer for all those times when I'm asked "why do you write?" this is where I have found myself, and this is what Story Sessions has taught me how to capture and hold tight. there is a seat for you with us, dear one. come join us}

in which I am doing something

{photo by me via Instagram}

in 2011, I wrote 297 posts.

it was the second year of my blog, the first full year from January to December. my mother called me prolific, and it was true. I was writing a post nearly every single day, sitting at the computer agonizing over something to write that was profound enough, that was rich enough, that was "good enough" for me to push publish and let it fly. and if I ever missed  a day, ever missed a step, I would apologize profusely, as if I had broken some never-made promise to always be present, always have words.

since I started writing, I've always felt like I had something to prove. that's what happens when you get married a week after your nineteenth birthday instead of going to college, and people are breathing down your neck for you to do something. it's not commonly done, choosing to become a wife instead of pursuing a degree. and so I wrote, wildly, and in some respects it was good because it was a honing period, a chance for me to understand the edges of my voice and what it had the potential to sound like , eventually.

but I had to clear my throat first because I had so many other voices at war in my vocal chords to the point that it was hard to figure out which was mine and which ones belong to everyone else. they taught me a lot, these other voices, because they pruned me down by making me feel uncomfortable. their words fit in their mouths so perfectly, but they were the wrong shape for mine.

:: :: 

I started to press myself deep into the Lion in those days, the ones that heralded the start of my thrashing as I shed my dead skin and sunk deeper into that lioness hide where I belonged, a selkie of a land-bourne sort. that's when I started to realize something.

maybe Susan wasn't "spared" death in the train crash because she was leaning toward boys and make-up and things that were pushing her into socially-appropriate adulthood. maybe it wasn't Lewis' way of chiding children for growing up, for choosing to walk . because if that was his point, if his purpose was to chase away adulthood and keep them locked in innocence forever, then Aslan wouldn't have been needed, and His own words would have been made void.

{photo by Nikki Jean Photography}

there, I have a different name. you must learn to know me by that name. that was the very reason you were brought into Narnia, so that by knowing Me here, you might know me better there. 

and in those words, I started to understand.

I have absolutely nothing to prove for being in the Land where He placed me. 

my voice and my story and my authenticity are mine, breathed holy straight into my lungs from the mouth of Lion on the mountaintop. it is a shift from the familiar, and it makes me feel a bit of a dervish. but this view, it's breathtaking.

I've spit out the salt water. my throat is clear.

and I'm prepared to speak.

for when you're sitting in limbo

{my girl and my love watching the snow.
they teach me the most.}

I am in the state of limbo that every writer who has ever submitted their work for publication knows intimately. it's the period between submission, the pushing of the words out from your hands to another pair of stranger-eyes, and the hearing of the acceptance or the rejection.

I sent my short story, Coffee, out for publication right around the end of January. I haven't heard back yet, and that's to be expected, as I was told it could be as late as April 1st before I heard anything in either direction. I still check the acceptance page of the publication's website every day.

my friend Brandy says this: just putting yourself out there is a win. aim for rejections. it's so foreign to me, this concept that even releasing your words is a step in the right direction, that a rejection letter is a sign that you did the impossible. you wrote something and sent it out.

honestly? I'm not in that place yet. I can't look at rejections as positive reinforcement, as reminders to keep trying. I haven't been able to stop the heart-pounding when I think, maybe they won't like me. it's reminiscent of being a child, right on the edge of the all-wood playset in the yard of the school, wiggling my fingers back and forth against my legs as I watched the other children chase and swing and toss pebbles at one another.

I just want them to like me. 

writing is vulnerability personified. I've said that before, that exact sentence almost exactly a month ago when I acknowledged that this process is, for me, wandering deep into the lair of a dragon. even more than that, it's realizing that I have no weapon, and that my intent is to ask the beast to share a meal with me. writing is walking up to the Big Bad Wolf, holding out my basket and whispering,

Grandma's not home. do you want to share?

{my writing space}

that's how I can tell that I'm doing what I'm supposed to be doing. there's a whole new kind of fear that comes when you recognize your calling and understand that breaking bread with dragons can be written in my resume under "job description." it's one of those moments in the tent, the kind where you overhear the Angel of the Lord tell your husband that you're going to have a baby at ninety years old, and you laugh because it's impossible. you have to laugh. it's that or cry.

the website for the publication to which I submitted uses the words "in progress" to refer to a work that hasn't been "completed" {passed on} or "accepted for publication." I think that's prophecy, in it's own way.

I'm still waiting. I'm still in progress, fidgeting a little bit as I wait to hear where my words will go next. I'm still refreshing the page every day, still watching the number beside my name, the one that identifies me as a writer.

I can feel Him looking at me, straight through the doorway of my tent, the place where I sat and laughed when He spoke a calling over me. I can hear the way He shakes His mane, the way the wind whispers through the wilderness and weaves around Him. 

Rachel, why did you laugh? I will return, and you will bear. 

wine-tasting

tonight at WalMart, a woman touched my arm and spoke life over me.

I've never met this woman before and I doubt I ever will again. we were standing between peanut butter and hot chocolate mix and Keurig coffee cups, me leaning upwards on tiptoes for a jar just barely out of reach, her pushing a cart down the row toward me from behind.

"I just want you to know, I feel like you need to know, you're doing a good job at whatever it is you're doing." 

and then she walked away.

holy. holy. holy. 

this woman had no idea what those words did for me, the second breathing of prophecy over me in the past twelve hours. she has no idea how deeply I've been creatively pushing myself, she has no idea about the vulnerability hangover I've been nursing since I submitted my fictional short story for publication perusal on Monday, followed by pouring raw words of a far less fictional sort in yet another direction last night.

she has no idea that today was the day that I stood crying at my kitchen counter, overwhelmed with a thousand things bearing down on my shoulders. she didn't know that I've been laden with self-doubt and low on words since acknowledging my own worth. {does it get more ironic than that?}

{photo via pinterest}

I am the biggest enemy to my own creativity, to my own setting out and declaring. I'm fearlessly committed to encouraging others to embrace their words, tell their stories, pour themselves out, peel back the roughage and let their brave show naked and raw and powerful. and then I find myself at the top of a tree, a kitten who had no problem scaling the trunk and finding my cheerleading perch, but now I cannot get down and I'm suddenly stricken with unmatched fear.

I am ravenous for my own self-worth. it's there. I can smell it, the way wine drifts over from the glass and makes your mouth water and your tastebuds spring to life with anticipation. but someone convinced me that I'm a teetotaler and that picking up that glass would be death to my soul.

but the Lion is whispering, not roaring {He knows what my soul can hear}.

if you do not drink, lioness, then you will die of thirst. and there is no other stream. 

being brave enough to lift the glass, to down its contents and let them flood the depths of me is only half the battle. the second part comes when I must step forward and speak, knowing that they'll know what I've been drinking. it's a different kind of intoxication, the kind that brings life instead of death, the kind that leaves deception at the gate and ushers in life like electricity through the heart of a corpse.

it's not chasing the fear away. no, not at all. it's embracing the fear, letting it do what it must, letting it prove itself futile and watching it drift away on the breeze like ash as the brave-flames stoke higher and higher still.

if you'll excuse me, I've been invited to a wine tasting.

{inspired by a Story Sessions prompt. join us? there's always room for you here with us}

catalyst

{photo by Rachel}

there's nothing like the word "catalyst" finding you during a vulnerability hangover.

it's one of those "mysterious ways" kind of circumstances where you really just want to draw away from the world and from the eyes that are peering in at you through your literary fishbowl. that's what writing is, in a way. it's being a fish in a tank, and people are staring, and sometimes they ignore the sign that says, don't tap on the glass; it frightens the fish.

people like to tap anyway.

writing is the epitome of vulnerability. there's that quote by Red Smith :: there's nothing to writing. all you do is sit down at at typewriter and open a vein. and we chuckle and shake our heads in that funny way we do when something is true and it amuses us. but then, all of a sudden, it's not so catchy and amusing anymore when you poured yourself out and you're a little weak and wan and woozy and the little glass of orange juice just isn't cutting it.

it's that thing of wandering into Smaug's mountain and realizing that I haven't brought a sword at all.

and then comes that word, glaring big from the upper right-hand corner of the sermon notes. catalyst. it's a perfect pairing with my word for 2014 :: precipice. 

a person or event which causes quick change or action. 

I've been writing big brave scary words already, twelve days into 2014. and it's left me feeling like I'm outgrowing my comfortable skin, like I caught myself sipping a little too much of Alice's drink me potion. it's growth, and it's intense, and it hurts. 

{photo by Rachel}

but there's something causing quick change and action. and it's not me. I'm not powerful enough for that, not on my own. I'm shedding all the garbage that's been collecting all over me, cleaning all around the battery connection cables that tie Him and I together. I can feel the glowing, the arcing when He and I meet.

and this is what makes the thrashing all worth it, every last bloody filth-plastered moment. 

sometimes it takes an emptying of words to realize you have so many left. sometimes it takes a visceral precipice looming up straight ahead for me to remember that His breathing is more buoyant than wings.

because it's because of feeling so completely stripped raw, down to nothing at all with barely even my own skin to keep me warm, that I can find myself sharing story -- my story, your story -- and breaking bread with dragons. 

here's to indecency

{photo by Jennifer Upton}

monotony is easy. safe is easy.

quite frankly, there are days when I'd so much rather withdraw into the protected little hovel I dug for myself in the early days. sometimes I want to go back to when the words were pretty and drew a crowd and fit where they was "supposed to," according to the rule list.

who made those rules? I'm still not exactly sure. but I can tell you this much :: it wasn't Jesus.

two days ago, I wrote about being published with profanity. the piece isn't even live yet -- not until Wednesday -- and already, I'm feeling the pressure to apologize. I've been told that I'm pushing the envelope too far, that it's so great that I'm expanding my horizons, but no one likes a lady with a potty mouth. that just because I'm saying that it could be holy doesn't mean that it will be.

I've even been told that holy ground is not mine to declare. I've been told that I'm trying to pull the power out of God's hands, that Moses didn't light the bush on fire, so why am I?

because He already lit my soul on fire. 

I'm not declaring holy ground because it's a whim, because I'm throwing the word around to land willy-nilly on any spare scrap of earth. it's because the first spark was kindled hot in the depths of my soul by the Lion's roaring.

and sometimes it's not always presentable. sometimes holiness is scandalous, the kind that makes people put their hand to their mouth and whisper about you in the shadows. sometimes you can hear them talking, feeling them pointing, talking about decorum and the way it should be.

but He made me risky. He showed me how to shed the world's clothing and walk a little closer to the line, whispering,

I didn't draw that line. walk My line, not theirs. 

that's what being a writer is. it's shedding the appropriateness of social norms, it's digging your fingers into the smothering wardrobe of darkness and ripping it off in shreds. it's pure risk, pure surrender.

so, here's to clinging tight to the filthy robe of the Rabbi and realizing that the path is easy without all the extra weight pulling me all over the road.

here's to holy, sacred indecency.

the year of the Lion

{photo by Rachel}

I started 2014 with a bang. literally, as that is a very good emulation of the sound made by my knee striking the corner of our coffee table precisely at midnight. the pain was enough to reduce me to tears as my husband put his arm around me and spent the first minute of the new year kissing away tears.

the irony of that hasn't escaped me. it was a burst of pain that brought this new year in :: this precipice year, this year of big things. I am fully aware that birthing requires pain, and this year is already brimming with the anticipation of pain.

this year is precipice. that is the word He gave me, once against without consulting me, as He so often does. and it's a good thing that He buried this seed so deep within me, because I might almost be tempted to dig it up and throw it away. because this is so damn big. so damn big. 

this is the year of letting go, of falling because there is nothing holding me back anymore. I'm anticipating some stumbling and some bumping, some air currents and the occasional thunderstorm. to say that I am expecting smooth sailing and an easy ride in this coming year would be a lie.

if anything, I'm expecting things to be hard. 

I wrote this post in the early days of December for the new Story Sessions internet home. I didn't have any idea what my word would be for 2014. I had barely an inkling of all the things that I would start to understand, that I would resolve to write a book in this coming year, that some of my words would be accepted for publication right at the cresting end of 2013.

she whispers at my core, deep inside me,

“I am midwife to freedom.

now push.”

{shifra :: featured on Story Sessions}

but I think I understand now. I think I'm finally grasping this impossible thing that I've been feeling since before this year truly began. it was pressing against the seams of the old year, like a wild thing, a wave that knows the sea awaited behind the wall. and it wanted to go home. 

{photo by Rachel :: art by Mandy}

now we are here, eleven hours into this new year. eight days away from publication. already pouring through and attempting to understand how to expand myself, how to make the needed changes, how to write this book and spin these stories. 

it's all about embracing a calling :: about figuring out what is it, exactly, that He and I have been struggling through and warring about for the past twelve months. it's about being a writer, a mother, a sojourner, a wife. it's about being a wild one. it's about falling. 

it's about letting the roaring :: His roaring :: soak into my skin like salve and smear across my cheeks like war paint. it's about saturating myself in faith, not religion. it's about letting go.  it's about understanding that I will most likely be completely vulnerable, that I will be putting myself out there this year in a way that is borderline terrifying. 

it's 2014. the year of precipice. the year of big things. the year of holy days. the year of sacredness, of continued thrashing.

the year of the Lion.

{one of the big things that is happening this year is my all exclusive content newsletter. you can subscribe here :: also found on the right side of the blog in the sidebar. the first issue goes out on Monday, January 6th. I plan on writing more about this in detail in the coming days. I deeply hope that you will join me on this sojourn} 

the quivering curtain {on being published}

{photo by Jennifer Upton}

I bought a calender on Saturday.

actually, technically, I bought two of them. one is the kind you hang on the wall, with beautiful pictures to look at each day of the month. and then there's the day-planner sort of thing, with each day marked out in lines with space for me to write my plans for the day, the week, the month.

we're at that midpoint. the darkest night is behind us and the bright burst of Epiphany is in front of us, coming closer and closer. closer still is the new year. I always marvel at the way a new year can feel so incredibly fresh, how burning one calender and hanging up a new one can conjure up such a profound change.

and I'm wordless.

I got the email one hour into Sunday morning. the one that started with "dear Rachel," and then the words blurred around me and my blood started pumping so loud in my ears that I could barely focus on anything else. I zeroed in on certain words :: thank you for submitting, we'd like to accept your piece for publication in our next issue...

it's surreal, I think. I say I think because I'm not even sure how I feel about this yet. 2014 is coming, fast, and it's the year I've pledged to open my mouth and put my words out there. I've decreed myself a writer, claiming the title that has been waiting for me to accept it for years. and then, right before the end of 2013, it started.

it's that light, pressing around the edges of the door. we're in the middle between the darkest night and the startling light of Epiphany. it's eager, excited, whispering of magic and wonder and intense power. I can't remember the last time I have felt this level of anticipation and enthrallment over the idea of a new year.

{photo by Jennifer Upton}

it's been a wandering year, a year of thudding and pulsing and weeping and keening and throwing things away and putting others in places of honour. and the further we get, the deeper we slip. I'm starting to understand why.

the stripping isn't over. the pruning and the baring and the birthing is far from over. in some respects, 2013 was the prologue, the overture, that quiver of the cast moving behind the curtain. He and I, we've done battle this year. and we're not done. it's been that slow peeling, that agonizing flailing. and I've stopped apologizing...at least, I think I have. but it's not like He and I are backed into our own corners just waiting for the next bell that supposedly comes when the bell drops. that's not it at all.

it's just the end of one calender and the start of another one.

it's huge and wild and sacred and so intensely huge. I can feel the ground shaking

and I can hear Him roaring.

{more is coming in regards to my being published  by Literary Orphans on January 8th. I'm still processing the joy and the fear that comes with this. words are brewing.}

the one where I'm resolving to write a book

{photo by Jennifer Upton}

I'm already working on my list of resolutions for 2014.

I know, it might be a bit presumptuous. I might be stepping ahead of myself just a bit. but I'm shivering with the anticipation of what this coming year is going to hold. 

the big one on the top of my list: write a book. my book. my story. my words. it's been brewing inside of me for a long time -- since I was eleven, if you want to get technical. I didn't realize it at the time, of course, but this passion for story has been living inside me since long before I acknowledged its presence. 

the big things are throwing themselves at me, of course. I don't have an agent or an editor, I don't have a clue as to what I'm doing. I've only ever written fiction, save for here on my blog, and I'm not even sure how to put my words out in a way that won't sound ridiculous or overly contrived. 

they're all lies. that much I think I've come to understand over the past year. but they're damn compelling lies. they feel exceptionally realistic, not unfounded. and those are just the surface ones. there's also the big ones, the big "what if"s that take over every scrap of my mind if I'm not careful. 

what if no one buys my book? what if no agent thinks my words are worth it, whatever that means? what if...what if my words hurt someone? these are the big ones, the ones that keep me up at night. the ones that lead me to light incense in my kitchen and practically fling myself into the Ocean of Him, whispering, won't You please just take me all the way down? 

the funny thing is, I couldn't even bring myself to acknowledge that I am a writer until this past year. if anyone asked me, I'd respond with, oh, I'm a blogger. and I do NaNoWriMo. but I'm not published. I'm not a real writer or anything.

{photo by dramaticelegance}

this looming year, this precipice year, is already brimming. it's like when you're standing on a cliff beside the sea, and you can't see the waves, but the ground is growling and shuddering and trembling beneath your feet. and you know, beyond a shadow of a doubt, that the sea is there. just one or two more steps, and you'll be off the edge. you'll be falling. 

I'm still not sure what this means for me. and I won't deny the terror. I won't deny the fear that comes with the unknown, and the wondering, and the what if's. like I said, they're everywhere.

but He knows. 

and He's standing between me and the lies, the cliff coming up behind me, and He's roaring the holiest of expletives at the ever-creeping fears. 

leave her the eff alone. she's Mine.

and still He's stepping forward, toward me, urging me onward. His eyes are telling me jump. just jump. 

so that's what 2014 is. here on the edge, six days from the start. I don't have a parachute. I don't have wings, at least not that I can see. so the plan is :: I have no plan. the rules are that I'm listening and I'm breathing and I'm taking that final step right off the edge and I'm letting myself float in midair on a puff of Lion's breath. 

and so, in 2014, I'm leaping off a precipice. 

I'm going to write a book. 

the theft of words

you want the truth? I forgot about plagiarism.

I'm not in high school or college anymore. the word stopped being something I heard all the time. but somehow, it was one of those things that slipped away from me.

plagiarism is one of those things that almost seems surreal. it's the concept of taking the work of someone else and putting it out into the world under your name. in the literary world, it's the taking of words. someone else's words, breathed from their spirit, and putting your name on them.

it's theft.

and then it happened today, right in front of my nose. a post made its way around the internet, a good post, one that felt familiar but it felt good also. I shared it, so did others. we commented and ooh'd and ahh'd and tweeted the link to our corner of the internet. and then today, we understood why it felt so familiar.

{photo by Jennifer Upton}

someone else had written it, long before it made its way to this new space. the words we were sharing, they didn't belong to this new voice. they were taken. stolen.

it makes me feel like I'm watching The Little Mermaid. a voice stolen, pulled from a throat and swallowed down into someone else's body. it's a deeply personal destruction. if you take someone's television or their wallet, you're taking a piece of earth. something physical, something replaceable.

when you take someone else's words, you're taking a piece of spirit, a piece of themselves. sometimes, it's not replaceable. the words can be repeated, but there is something deeper taken. it's a guttural, visceral violation.

i don't understand why it's ever done.

****

there's a big lie out there, one that seems to slip in among the writers like poison gas that can kill us while we are completely unaware. it's the lie that you don't have words. it's the lie that you have no story, that you have nothing to say of worth. it's the lie that your words don't exist.

but there's something we've forgotten. there was a Voice in the beginning, speaking words over empty space and watching light and earth and sea and sky and plants and creatures appear from the void. simply through words. His words. His song.

and then, on the sixth day, there came more words: come and let Us make man in Our own image. hands and words joined together, art of a whole different sort began. He spoke, and there was Life.

do you know what that means? do you understand?

{photo by Jennifer Upton}

you are made of words. 

your skin. your soul. your wild parts, your sacred parts, your everyday parts. it's all words. they're waiting, lingering just beneath the surface. you have your own words.

you don't need someone else's words to make you a writer. 

you have a story. it's pulsing beneath the surface. you have thoughts, points, valid observations about the world around you. you have a voice. and maybe it's a little rusty from lack of use. maybe it's a little skittish because of the way you were treated. maybe it's a little soft because you weren't taught how to raise it up.

but it's there.

you don't need someone else's words to make you a writer because you already have your own.

because you already are your own. 

when you haven't written a book

{photo by Jennifer Upton}

I'm the blogger than hasn't written a book.

it's funny, and then, it's not, because everywhere you look anymore, having a book with your name on the cover and your picture on the back is becoming the norm. at least, in my circles, it is. and it's damn intimidating.

it's hard to feel like a lioness when you're mewing and scratching at the door in your own head.

recently, I wrote for Preston Yancey about what women want from the church. my answer was voice, the chance to stand up and speak on par with all the other masculine heads that tower above me. and then i start to get a good look around me, and I start to think, well, maybe my voice doesn't count because it's never been between two covers. 

I am Alice, tumbling down the rabbit hole with nothing to hold onto, finding myself flat on my face in a strange sort of Wonderland. I'm a flower with the wrong kind of petals, they whisper...or am I just imagining it because I'm too scared to admit that maybe I might fit in here after all?

I don't have an MD, but then, I'm not a doctor. I'm a healer with a satchel of words. I feel like a midwife in a world full of modern medicine. and it's not wrong, because there's a time and a place for those who have greater experience in other areas than me. but sometimes you just need that silence, the hands that wrap around your shoulders and whisper, breathe through this. I've got you. 

this is how I will {eventually} write my book. this is a vow to myself. it's a pledge that my words belong in hands, shared over coffee and firelight, breathed from one mouth to another.

I just hope that I'll eventually find my corner and admit to myself that I myself am breathed from the lips of Holiness, that every fibre of my being hums with the chorus of the Spirit-Song composed before the dawn of time.

I'm the blogger that hasn't written a book.

yet.

dark horse

{pinterest}

i am my own dark horse.

i love that expression :: dark  horse, emerging from the back of the pack, from nothing to prominence. there's something so powerful about the image. it's sacred.

it's something i've come to realize about myself in recent days. this process of blogging has been a gradual metamorphosis, a process of flushing out what i really think about the world, about my faith, about what i want to do with my writing. i was this strange caterpillar creature, this thing that had its own strange beauty, but looked just like all the rest. and then i crawled into my cocoon and things started to shift inside.

ever since i started lifting my eyes to meet the faces around me and speaking a little braver, i've felt vulnerable in a way that i haven't experienced in a long time. i've been doing a lot of thinking, filling my mental pages with so many notes and thoughts with very little making it to paper. that's odd for me, as i tend to gravitate toward scribbling ink-notes on any scrap within my reach.

i'm starting to realize that blogging might be more of a contact sport than i originally anticipated.

so you wanna play with magic. you should know what you're falling for. 

baby, do you dare to do this? i'm coming at you like a dark horse.
:: dark horse :: katy perry ::  

i just wanted to write pretty words. i just wanted to be famous. i wanted to play with the big boys and girls who sat at their computers and sussed out beautiful words and had people gasping and nodding and whispering, "so true, oh yes, very profound."

i don't know when it got so real. i don't know when i stopped writing the surface and found myself under the water, completely engulfed. i don't know when my voice started getting louder. it's still shaking, but it's getting louder.

love is not a victory march
it's a cold and it's a broken hallelujah

and i'm starting to realize that this rise and fall, this wave and this shift, it's normal. it's what i can anticipate now as i'm opening my shutters further. the more Light that plays on the floor, the warmer i become. it's filling me up, exploding out my fingers and toes. it's the most holy-hush i've ever experienced.

i'm becoming more and more okay with my lack of "safe faith." it was a statement, repeated over and over, almost becoming trite like a repeated mealtime prayer :: not safe, but good. but it's not just words anymore. it's my existence. i have flung myself off the cliff, and i'm falling at break-neck speed. it's a whirlwind. 

but i can smell Him in the air. 

permission to not have answers {page five}

i realized something today. i realized that i've been talking so much about all the permission i have found in telling my story :: but i haven't really told you any of my story. which is actually relatively funny, seeing as how i've become more and more free with sharing my story with the world in recent months.

there's a certain level of fear that comes with telling my story. it takes bravery to stand up and stammer out, i grew up Christian because i was supposed to, not because i chose Jesus above everything else. it takes a strange amount of courage to admit that from a very early age, i was that person, the one that gripped people by the throat and dragged them to the feet of Jesus whether they wanted to be there or not.

i made sure they knew they were sinners. i made sure they knew they were going to hell. that is, unless they became Christians.

i remember the girl in the department store, the one that i cornered at the age of five and asked, if you died tonight, do you know where you'd go? and then came the words that scarred the little missionary in me for a very long time :: uh, yeah, why are you asking crazy questions? 

that was my persecution, i was sure. and so i soldiered on, relentless in my pursuit to change the world for Jesus. i was on fire. or rather, i thought i was on fire. but i had no idea what i was doing. i had no idea what i believed. well, i believed what everyone else around me believed. i knew what i was supposed to think, and that was what i thought.

it wasn't until i was seventeen and i experienced the quietest moment of my life that things started to change. and it wasn't until even later still that i received permission from myself and from the One who sees me to question everything. i never would have dared to even think the things that now are the mantra of my entire existence.

{via pinterest}

not too long ago, a precious soul-sister sent me beautiful words, etched in paint and ink, that i have held close from the moment my eyes first beheld them :: He is not threatened by your questions. i grew up in a place where my questions meant my faith wasn't sure, and that wasn't okay. i was just supposed to trust, to lean, to go with what i knew, and knowing equaled faith.

there wasn't any mystery. there wasn't any wrestling. there weren't any questions.

except i had a lot of questions that didn't have answers. i didn't understand why those around me shouldered these heavy chains and walked with their heads down, murmuring about joy in their souls but with such strange oppression on their faces. this is what God says, they chanted, this is what we must do. but they wouldn't touch the broken ones that lined the road. and they looked me in the eye and held out their hands to me, Christian me, church me. the one that fit.

and then i had to wonder, what if they knew my story? would they hold out their hands then? because i know what i was, before this strange thrashing freedom came, and i would have crossed to the other side of the road. 

and it was then that He made Himself known to me, this strange Voice that loomed out the darkness.

:: dearest daughter, I have known you long. 

and this Voice, this Lion...He didn't seem threatened by my not-knowing. in fact, it seemed to fit. because He wasn't safe, which felt so foreign. He was supposed to be safe, to be full of facts and thick black lines, and there weren't supposed to be any questions.

but i had so. many. questions.

{via pinterest}

and i found myself standing on the edge of the sea, feeling the spray from the waves soaking every inch of me, through to the skin. and He murmured, deep into my soul, oh dearheart, I know there is a sea of questions. but I AM the great bridge-builder. and I can wait for you forever. 

i've never felt so fragile, as though a wind might knock me over. but then, i've never felt so free, as though i'm riding on the back of the warmest, wildest One i've ever known. i still have so many questions. but answers are slipping in, finding their places, one little scrap of wood at a time. and slowly, a bridge is forming.

i am fragile. the wood is strong.
and i can feel the flames building inside me again.

{this was written as part of a synchroblog to celebrate the release of Addie Zierman’s book When We Were On Fire. i'm honoured to stand beside her and a thousand others as we speak our stories, share our pieces. won't you join us?}